Remix beat – WMGD http://wmgd.net/ Sun, 25 Sep 2022 11:30:35 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://wmgd.net/wp-content/uploads/2021/11/profile-150x150.png Remix beat – WMGD http://wmgd.net/ 32 32 BNYX is not interested in a career producing type beats https://wmgd.net/bnyx-is-not-interested-in-a-career-producing-type-beats/ Fri, 23 Sep 2022 17:54:50 +0000 https://wmgd.net/bnyx-is-not-interested-in-a-career-producing-type-beats/ It’s a little past lunchtime on a Friday afternoon, but BNYX (pronounced Benny X) is still firing on all cylinders. He had just left a studio session with athlete-turned-rapper Showjoe to return home where his wife is listening to our conversation via a Ring camera. “She’s weird…” he said, his eyebrow almost audibly raised and […]]]>

It’s a little past lunchtime on a Friday afternoon, but BNYX (pronounced Benny X) is still firing on all cylinders. He had just left a studio session with athlete-turned-rapper Showjoe to return home where his wife is listening to our conversation via a Ring camera. “She’s weird…” he said, his eyebrow almost audibly raised and in a way that suggested he was, in fact, the weirdest. As I grope with the recorder, he starts rapping under his breath: “Takin’ the yanky, more janky, more banksy / I run up this bitch like a big ol’ tanky. For a brief moment, he looks possessed.

The song in question is “Can’t Stop It” by Yeat, a BNYX-produced song from his new project. Lyfe which has the towering guitars and burning feel of a wrestler’s theme. Yeat is known for his love of alien-sounding synths and mutant vocals, so it’s strange to hear him rapping about something that seemed, for once, describable by earthly genres. “I literally posted a TikTok about it the other day,” the 27-year-old producer says, referring to a clip he made where he dubbed the song on a stage in The Batman.

It’s not the first time that a little knowledge of the net has helped him. While working at AT&T in 2017 after being forced to drop out of college due to rising tuition fees, BNYX saw Travis Scott drop out of a remix of Rae Sremmurd’s “Swang” and get hooked. is rushed to rework it himself. “I worked in a slow store and had a cool manager, so I could just make beats on the floor,” he recalls. Using a fake Twitter account, he would reply to people who posted about the song with a link to his own remix, estimating that he had sent around 200 tweets, and right after that he fell asleep. The next morning, his remix had over 100,000 plays, although BNYX wasn’t quite sure how to capitalize on the moment, so he continued his salesroom preparations until he felt the desire to have some. more.

After two years, he quit his job at AT&T and hooked up with a local artist named Miles Chancellor. From there, he would build relationships with others before landing his first major placement in 2018 as a co-producer on Ty Dolla $ign’s “South Beach.” Fast forward a few months and BNYX ended up moving to Los Angeles, where it slept in studios and on broken air mattresses, trying everything it could to make something happen.

Born in Delaware to Haitian immigrants and raised in Philadelphia and the nearby suburb of Upper Darby, BNYX (real name: Benjamin Saint Fort) spent his childhood playing church alongside his brothers and his father, who came to the United States for the first time on a tour with a Haitian. gospel group in the late 70s. From age 7 to 16, he took weekly piano lessons and began helping his late father make piano arrangements in the small studio in their home as he was improving. BNYX’s parents were strict about the radio growing up – only allowing them to listen to adult contemporary stations that played The Cranberries and Matchbox Twenty, gospel music or whatever his dad was working on at the time. — delaying his introduction to rapping. In high school, BNYX’s older brother Felix encouraged him to get into rap production after hearing some of the metal and pop tracks he was working on; at the time, he had a cheap MP3 player that only carried a few songs. Soon, his rock and metal favorites were joined by 2 Chainz’ “Birthday Song” and Chief Keef’s “Love Sosa.”

Today he’s back home in Philadelphia and in his beats you can hear BNYX doing a bit of everything. Along with Zack Fox, he’s tapping into Memphis’ nighttime rebound. With New Jersey singer Fousheé (whom he met through Fox), he creates courageous songs tinged with screams. And with Yeat, he constantly finds ways to spice up a formula that can sometimes become stale. Somehow, it feels like he’s actively trying to work against type by fighting.

“I look at all the blogs that talk about Yeat and I’m like, ‘What do they like, what don’t they like? he says. “And it’s usually, ‘He does the same thing over and over again.’ So every beat I sent [for Lyfë], I made sure it didn’t sound like a beat he would jump on. I will not do the same again. I get bored very quickly.” A week later LyfeI talked to BNYX about sneaking into his dad’s studio, hiding in the producer Discords, and working with Yeat.

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From songs of mourning to what the generations dance to https://wmgd.net/from-songs-of-mourning-to-what-the-generations-dance-to/ Mon, 29 Aug 2022 19:35:36 +0000 https://wmgd.net/from-songs-of-mourning-to-what-the-generations-dance-to/ The second season of KCRW’s Global Beat – a series about emerging artists from around the world – focuses on Mexico. Host Raul Campos teams up with three curators: Junf, DJ and music supervisor from Mexico City, Moni Saldaña, director of the NRMAL Festival, and Betto Arcos, freelance music journalist. Listen to Global Beat Mexico […]]]>

The second season of KCRW’s Global Beat – a series about emerging artists from around the world – focuses on Mexico. Host Raul Campos teams up with three curators: Junf, DJ and music supervisor from Mexico City, Moni Saldaña, director of the NRMAL Festival, and Betto Arcos, freelance music journalist. Listen to Global Beat Mexico every Thursday at 10 a.m. during “Morning Becomes Eclectic.”

Check out these artists and their songs:

Vico Diaz – “Tortuga”

“He’s basically a classically trained jazz musician, which is why he…breaks the boundaries of what we imagine to be traditional marimba playing,” says Campos.

Diaz also uses the leona, an uncommon instrument in jazz. “It really pushes the boundaries of what an instrument can do and really merges with modern sounds and just mixes the vibes. And that’s really what we’re trying to do with Global Beat Mexico…it’s traditional sounds but with a modern twist.

Los Vaguens – “Las Rosas” (The Roses)

This band is from Acapulco, and they sound tropical and romantic.

Veronica Valerio – “Ayotzinapa”

“It’s probably his best known song and it came out in 2015. And it was in the aftermath of that big massacre that happened in Guerrero in 2014. It’s a beautiful song, but if you listen to the lyrics, you can hear that she’s really diving deep into what had happened the year before.

In this case, the country’s former attorney general was arrested and charged with the kidnapping and murder of the 43 students.

Hela San – “Temporal”

This song is from San’s 2020 album ‘Humana’. “It was funded by the government…because they’re really into exporting art and music from Mexico.”

Don Couto – “Cumbia Binaria (Amantes del Futuro Remix)”

“Don Couto is one of those guys who really relates to … that young sound and a modern take on what is traditional Cumbia, which everyone knows and everyone dances to, and that’s the one of those kinds of music you still hear at parties and clubs. »

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MTV Video Music Awards 2022: the complete list of winners https://wmgd.net/mtv-video-music-awards-2022-the-complete-list-of-winners/ Mon, 29 Aug 2022 12:04:45 +0000 https://wmgd.net/mtv-video-music-awards-2022-the-complete-list-of-winners/ The MTV Video Music Awards honor the best artists and biggest names in music at this year’s star-studded show! Heading into Sunday’s show, Jack Harlow, Kendrick Lamar and Lil Nas X lead the pack with seven nominations each, while 2021 MTV VMAs host Doja Cat and Harry Styles weren’t far behind. behind, each scoring six […]]]>

The MTV Video Music Awards honor the best artists and biggest names in music at this year’s star-studded show!

Heading into Sunday’s show, Jack Harlow, Kendrick Lamar and Lil Nas X lead the pack with seven nominations each, while 2021 MTV VMAs host Doja Cat and Harry Styles weren’t far behind. behind, each scoring six nominations.

Billie Eilish, Drake, Dua Lipa, Ed Sheeran, Taylor Swift and The Weeknd were also among the top contenders, while this year’s show also saw 26 first-time nominees vying for the coveted Moon Person trophies.

But who walked away with the honors amid a night of jaw-dropping live performances? Check out the full list of big winners below, with winners tagged in bold, which will be updated throughout the show!

VIDEO OF THE YEAR
Doja Cat – “Woman” – Kemosabe Records/RCA Records
Drake ft. Future & Young Thug – “Way 2 Sexy” – OVO / Republic
Ed Sheeran – “Chills” – Atlantic Records
Harry Styles – “As It Was” – Columbia Records
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records
Olivia Rodrigo – “brutal” – Geffen Records
Taylor Swift – “All Too Good” (10 Minute Version) (Taylor Version) – Republic Records – **WINNER!

ARTIST OF THE YEAR
Bad Bunny – Rimas Entertainment — ** WINNER!
Drake – OVO/Republic
Ed Sheeran – Atlantic Records
Harry Styles – Columbia Records
Jack Harlow – Generation Now / Atlantic Records
Lil Nas X – Columbia Records
Lizzo – Atlantic Records

SONG OF THE YEAR
Adele – “Easy On Me” – Columbia Records
Billie Eilish – “Happier Than Ever” – Darkroom / Interscope Records – **WINNER!
Doja Cat – “Woman” – Kemosabe Records/RCA Records
Elton John & Dua Lipa – “Cold Heart (PNAU Remix)” – EMI/Interscope Records
Lizzo – “About Fucking Time” – Atlantic Records
Kid LAROI & Justin Bieber – “STAY” – Columbia Records

BEST NEW ARTIST
Baby Keem – Columbia Records
Dove Cameron – Disruptor Records / Columbia Records – **WINNER!
GAYLE – Atlantic Records / Arthouse Records
Latto – Streamcut / RCA Records
Måneskin – Arista Records
SEVENTEEN – PLEDIS Entertainment/Geffen Records

PUSH PERFORMANCE OF THE YEAR
September 2021: Griff – “One Night” – Warner Records
October 2021: Remi Wolf – “Sexy Villain” – Island Records
November 2021: Nessa Barrett – “Hope You’re Miserable Until You Die” – Warner Records
December 2021: SEVENTEEN – “Rock With You” – PLEDIS Entertainment / Geffen Records – ** WINNER!
January 2021: Mae Muller – “Better Days” – Capitol Records UK
February 2022: GAYLE – “abcdefu” – Atlantic Records / Arthouse Records
March 2022: Sheneesa – “RU That” – Rich Immigrants / Interscope Records
April 2022: Omar Apollo – “Tamagotchi” – Warner Records
May 2022: Wet leg – “Chaise longue” – Domino Recording Company
June 2022: Muni Long – “Baby Boo” – Supergiant Records LLC / Def Jam Recording
July 2022: Doechii – “Persuasive” – Top Dog Entertainment / Capitol Records

BEST COLLABORATION
Drake ft. Future & Young Thug – “Way 2 Sexy” – OVO / Republic
Elton John & Dua Lipa – “Cold Heart (PNAU Remix)” – EMI/Interscope Records
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records – **WINNER!
Megan Thee Stallion & Dua Lipa – “Sweetest Pie” – 300 Entertainment
Post Malone & The Weeknd – “One Right Now” – Mercury Records / Republic Records
ROSALIA ft. The Weeknd – “LA FAMA” – Columbia Records
Kid LAROI & Justin Bieber – “STAY” – Columbia Records

BEST POP
Billie Eilish – “Happier Than Ever” – Darkroom/Interscope Records
Doja Cat – “Woman” – Kemosabe Records/RCA Records
Ed Sheeran – “Chills” – Atlantic Records
Harry Styles – “As It Was” – Columbia Records – **WINNER!
Lizzo – “About Fucking Time” – Atlantic Records
Olivia Rodrigo – “traitor” – Geffen Records
BEST HIP-HOP
Eminem & Snoop Dogg – “From D2 to LBC” – Shady/Aftermath/Interscope Records
Future ft. Drake, Tems – “WAIT FOR U” – Freebandz/Epic Records
Kendrick Lamar – “N95” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records
Latto – “Big Energy” – Streamcut/RCA Records
Nicki Minaj ft. Lil Baby – “Do we have a problem?” – Young Money / Cash Money / Republic Records — ** WINNER!
Pusha T – “Diet Coke” – GOOD music / Def Jam

BEST ROCK
Foo Fighters – “Love Dies Young” – RCA Records
Jack White – “Take Me Back” – Third Man Records
Muse – “Won’t Retire” – Warner Records
Red Hot Chili Peppers – “Black Summer” – Warner Records – **WINNER!
Shinedown – “Planet Zero” – Elektra Music Group
Three Days Grace – “So Called Life” – RCA Records

BEST ALTERNATIVE
Avril Lavigne ft. blackbear – “I Love It When You Hate Me” – Elektra Music Group / DTA Records
Imagine Dragons x JID – “Enemy” – KIDinaKORNER / Interscope Records
Machine Gun Kelly ft. WILLOW – “emo girl” – Bad Boy / Interscope Records
Måneskin – “I WANT TO BE YOUR SLAVE” – Arista Records – **WINNER!
Panic! At The Disco – “Viva Las Vengeance” – Powered by Ramen / Elektra Music Group
Twenty One Pilots – “Saturday” – Powered by Ramen / Elektra Music Group
WILLOW, Avril Lavigne ft. Travis Barker – “GROW” – MSFTSMusic / Roc Nation Records
BEST LATIN
Anitta – “Envolver” – Warner Records – **WINNER!
Bad Bunny – “Tití Me Preguntó” – Rimas Entertainment
Becky GX KAROL G – “MAMIII” – Kemosabe Records / Sony Music Latin / RCA Records
Papa Yankee – “REMIX” – Republic Records
Farruko – “Pepas” – Sony Music US Latin
J Balvin & Skrillex – “In Da Getto” – Sueños Globales, LLC / Universal Music Latino / Asylum Records UK
BEST R&B
Alicia Keys – “City of the Gods (Part II)” – AKW
Chlöe – “Have Mercy” – Parkwood Entertainment/Columbia Records
HER – “For Anyone” – RCA Records
Normani ft. Cardi B – “Wild Side” – Keep Cool / RCA Records
Summer Walker, SZA & Cardi B – “No Love (Extended Version)” – LVRN/Interscope Records
The Weeknd – “Out of Time” – XO / Republic Records — ** WINNER!

BEST K-POP
BTS – “Yet to Come (The Most Beautiful Moment)” – BIGHIT Music / Geffen Records
ITZY – “LOCO” – JYP Entertainment
LISA – “LALISA” – YG Entertainment / Interscope Records – **WINNER!
SEVENTEEN – “HOT” – PLEDIS Entertainment/Geffen Records
Stray Kids – “MANIAC” – JYP Entertainment
TWICE – “The Feelings” – JYP Entertainment

GROUP OF THE YEAR
Black Rose
BTS – ** WINNER!
city ​​girls
foo fighters
imagine Dragons
Maneskin
Hot red peppers
Sonic Silk

SONG OF SUMMER
Bad Bunny and Chencho Corleone – “Me Porto Bonito”
Beyoncé – “Break My Soul”
Charlie Puth (with Jungkook) – “Left and Right”
Doja Cat – “Vegas”
Future (featuring Drake and Tems) – “Wait for U”
Harry Styles – “Late Night Talk”
Jack Harlow – “First Class” – **WINNER!
Kane Brown – “Big”
Latto and Mariah Carey (with DJ Khaled) – “Big Energy (Remix)”
Lizzo – “About Fucking Time”
Marshmello and Khalid – “Numb”
Nicki Minaj – “Super Weird Girl”
Nicky Youre and Dazy – “Sunroof”
Post Malone (with Doja Cat) – “I Love You (A Happier Song)”
Rosalia – “Bizcochito”
Steve Lacy – “Bad Habit”
VIDEO FOR GOOD
Kendrick Lamar – “The Heart Part 5” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records
Latto – “P*ssy” – Streamcut/RCA Records
Lizzo – “About Damn Time” – Atlantic Records – **WINNER!
Rina Sawayama – “This Hell” – Dirty Blow
Stromae – “Sons of joy” – Label Mosaert / The Darkroom / Interscope Records

BEST METAVERSE PERFORMANCE
BLACKPINK The Virtual | PUBG – YG Entertainment / Interscope Records – ** WINNER!
BTS | Minecraft – BIGHIT Music / Geffen Records
Charli XCX | Roblox – Atlantic Records
Justin Bieber – An Interactive Virtual Experience | Wave – Def Jam
Rift Tour with Ariana Grande | Fortnite – Republic Records
Twenty One Pilots Concert Experience | Roblox – Powered by Ramen / Elektra Music Group
BEST LONGFORM VIDEO
Billie Eilish – Happier Than Ever: A Love Letter to Los Angeles – Darkroom / Interscope recordings
Foo Fighters- Workshop 666 – RCA recordings
Kacey Musgraves– damn – Interscope Records / MCA Nashville
Madonna – Mrs X – Interscope Recordings
Olivia Rodrigue- drive home 2 u – Geffen records
Taylor Swift – Too Good (10 Minute Version) (Taylor Version) – Republic Records — ** WINNER!
BEST MANAGEMENT
Baby Keem & Kendrick Lamar – “Family Ties” – Columbia Records
Billie Eilish – “Happier Than Ever” – Darkroom/Interscope Records
Ed Sheeran – “Chills” – Atlantic Records
Harry Styles – “As It Was” – Columbia Records
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records
Taylor Swift – “All Too Well” (10 minute version) (Taylor’s version) – Republic Records — ** WINNER!

BEST ART DIRECTION
Adele – “Oh My God” – Columbia Records
Doja Cat – “Come In (Yuh)” – Kemosabe Records/RCA Records
Drake ft. Future & Young Thug – “Way 2 Sexy” – OVO / Republic Records
Kacey Musgraves – “Simple Times” – Interscope Records/MCA Nashville
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records – **WINNER!
Megan Thee Stallion ft. Dua Lipa – “Sweetest Pie” – 300 Entertainment
BEST VISUAL EFFECTS
Billie Eilish – “Happier Than Ever” – Darkroom/Interscope Records
Coldplay X BTS – “My Universe” – Atlantic Records
Kendrick Lamar – “The Heart, Part 5” – pgLang/Top Dawg Entertainment/Aftermath/Interscope Records
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records – **WINNER!
Megan Thee Stallion & Dua Lipa – “Sweetest Pie” – 300 Entertainment
Kid LAROI & Justin Bieber – “STAY” – Columbia Records
BEST CHOREOGRAPHY
BTS – “Permission to Dance” – BIGHIT Music / Geffen Records
Doja Cat – “Female” – Kemosabe Records / RCA Records – **WINNER!
FKA twigs ft. The Weeknd – “Tears In The Club” – Atlantic Records
Harry Styles – “As It Was” – Columbia Records
Lil Nas X, Jack Harlow – “INDUSTRY BABY” – Columbia Records
Normani ft. Cardi B – “Wild Side” – Keep Cool / RCA Records
BEST EDITING
Baby Keem & Kendrick Lamar – “Family Ties” – Columbia Records
Doja Cat – “Come In (Yuh)” – Kemosabe Records/RCA Records
Olivia Rodrigo – “brutal” – Geffen Records
ROSALÍA – “SAOKO” – Columbia Records – ** WINNER!
Taylor Swift – “All Too Well” (10 minute version) (Taylor’s version) – Republic Records
The Weeknd – “Take My Breath” – XO/Republic Records

ALBUM OF THE YEAR
Adele — 30
Bad Bunny — A Verano Sin Ti
Billie Eilish— happier than ever
Drake — Certified Lover
Harry Styles— Harry’s House — **WINNER!

MORE ET:
The Red Hot Chili Peppers will be honored at the MTV VMAs with the Global Icon Award

MTV VMA 2022: Lizzo, Jack Harlow, BLACKPINK and more will perform

Nicki Minaj will receive the Video Vanguard award and perform at the 2022 VMAs

The MTV VMAs return to New Jersey with a live audience full of fans

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Woman tries to beat DUI test by Irish folk dance and fails https://wmgd.net/woman-tries-to-beat-dui-test-by-irish-folk-dance-and-fails/ Mon, 29 Aug 2022 10:37:32 +0000 https://wmgd.net/woman-tries-to-beat-dui-test-by-irish-folk-dance-and-fails/ Pinellas County police had an interesting evening after arresting a woman they believe may possibly be driving impaired. After being involved in a car accident, she tried to prove she wasn’t drunk, so she performed an Irish folk dance for the cops. Amy Harrington, 38, of Madeira Beach, was in a car accident about a […]]]>

Pinellas County police had an interesting evening after arresting a woman they believe may possibly be driving impaired. After being involved in a car accident, she tried to prove she wasn’t drunk, so she performed an Irish folk dance for the cops.

Amy Harrington, 38, of Madeira Beach, was in a car accident about a mile from her home and when officers arrived they noticed her eyes were bloodshot and watery.

Harrington couldn’t walk in a straight line during her sobriety test, so she gave up and started dancing instead.

In the video, you hear the cop say, “Do you want to be careful so I can give you directions?”

She replied, “Yeah, well, you sound like my ballet coach, so that sounds good.” Then she started dancing.

The cop then replied, “That wasn’t good.”

THE SOURCE

2022 MTV VMAs Winners List

The MTV VMAs return to the Prudential Center in Newark, New Jersey, for the first time in three years. MTV increased the number of nominees for its top award, Video of the Year, to seven for the first time in the show’s 39-year history.

Jack Harlow, Doja Cat and Harry Styles have the most nominations this year. See the full list of winners below:

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God Did It has a rare Dr. Dre beat and an Eddie Murphy sample https://wmgd.net/god-did-it-has-a-rare-dr-dre-beat-and-an-eddie-murphy-sample/ Sat, 27 Aug 2022 05:17:43 +0000 https://wmgd.net/god-did-it-has-a-rare-dr-dre-beat-and-an-eddie-murphy-sample/ We are in the final days of summer, just as the season of blockbuster movies is giving way to the season of low expectations. God Did is DJ Khaled’s thirteenth (thirteenth!) solo album, and he gives it to us like Indiana Jones slipping through a door just as it closes. The professional screamer’s producer, executive, […]]]>

We are in the final days of summer, just as the season of blockbuster movies is giving way to the season of low expectations.

God Did is DJ Khaled’s thirteenth (thirteenth!) solo album, and he gives it to us like Indiana Jones slipping through a door just as it closes.

The professional screamer’s producer, executive, social media personality and newest long-player are consistent with his pattern of big-budget, high-shine releases. It features a guest list full of bankable stars (Jay-Z, Drake, Eminem and Future), as well as exciting new talent (Skillibeng, Latto, Nardo Wick).

God Did is an album that constantly aims for viral moments, radio hits and street credibility all at the same time. This was suggested by the album’s lead single, “Staying Alive,” which was a middling collaboration between Drake and Lil Baby and interpolated the Bee Gees’ hit Saturday Night Fever.

Here are the major moments that have people talking, including a rambling verse from Jay-Z, an incredible turn from 21 Savage, and a totally off-the-beaten-track sample of the 1980s.

Jay-Z wants us to know that he is rich and has helped make others rich.

Jay-Z is 52 years old, has a net worth of over $1 billion, and leads an extraordinarily successful life. He doesn’t have to keep rhyming, which is why every time he walks into the booth to perform, it immediately catches the attention of the hip-hop community at large.

As he raps 80 bars to close “God Did,” his verse on the album’s title track is the equivalent of an NBA infraction for a superstar. Some lyrics have already caused a stir on the internet, such as the following, in which he raps about his multi-billionaire family tree: “How many billionaires can come from the nursery of Hov?

I count three, me, Ye and Rih/Bron is a Roc boy, so technically four. The verse also cleverly contrasts Jay’s humble beginnings as a street hustler in New York with the development of the drug culture. He makes a joke saying, “Now the cannabis in the stores, can you believe this, Ty?”

There are a few awkward lines, the most notable of which is when he compares the success of Rihanna’s Fenty clothing line to the sale of fentanyl, but overall it’s a long verse that lets Jay get on with it. brag about his business acumen in a way he can’t. Or, to put it another way, he calls them “the local boys with the local office.”

A Juice WRLD collab that has been in the works for three years is finally out.

Juice WRLD’s song “Another One” first premiered over three years ago. Although Khaled did not directly contribute to the song, there are several references to him and his iconic catchphrases in the song.

The song has now officially been released as “Juice WRLD Did”, although it has been leaked in the meantime.

The God Did tracklist is immediately apparent from the fact that it was produced by regular Juice collaborators Nick Mira and DT. This song is a good example of the rapper’s talent for composing memorable hooks and demonstrates his talent for sprinkling his lines with references to well-known moments in pop culture.

He said Lil Bibby randomly submitted it to him, and he felt compelled to include it on the album, even though “Juice WRLD Did” doesn’t fit in perfectly with the other tracks on the album. by Khalid.

In either case, it is a pleasure to be able to listen to the work of a very gifted musician who died far too soon.

Latto never ceases to amaze them with his incredible ability to put his unique spin on old standards.

One of the most promising new artists of 2021, Atlanta MC Latto has been riding a wave of success since releasing his album 777 and making powerful appearances on tracks by Megan Thee Stallion and Calvin Harris. On the song “Bills Paid” by God Did, which was a collaboration with City Girls, she takes center stage.

Latto establishes her method of operation when she interacts with interested guys, resulting in a performance that exudes an extraordinary amount of self-assurance. She raps, “He asked me what my horoscope was, and I said, ‘A dollar sign’.”

Latto has already demonstrated his ability to put his own spin on well-known samples; for example, listen to his hit “Big Energy”, which is a cover of Mariah Carey’s “Fantasy”. Here she does the same with “Bills Paid”.

This track was co-produced by Khaled himself and samples the 2001 single “Lights, Camera, Action!” by Mr Cheeks. It was an underrated club hit that felt like the spiritual successor to the Bad Boy style of high-gloss hits that were popular in the late 1990s, particularly because it featured its own classic example of “Keep on Truckin’ by Eddie Kendrick.

The song is awesome and firmly establishes Latto as one of the best rappers around in terms of updating yesterday’s classics. “Bills Paid” features a string melody that’s been beefed up, and there are funky guitar touches throughout.

Finally, we take a look inside the vault that Dr. Dre and Kanye West worked on.

Rap fans were surprised in 2019 when Kanye announced that he and Dr. Dre would be collaborating on an upcoming project titled Jesus is King, Part II.

Even though Kanye’s production was starting to get erratic, the prospect of the two legendary producer-rappers working together was undeniably intriguing. The two had never worked together before for some reason.

We never heard anything from those sessions, but Khaled did unleash something with “Use This Gospel (Remix)” that seems to be from that era. Kanye West and Eminem contribute vocals to the track, while Dr Dre and Timbaland are responsible for producing it. The track is a who’s who of rap royalty.

The production is classic Dr Dre, with minimal slamming drums and low piano chords that are ominous. It doesn’t quite live up to the original, which is quietly one of Kanye’s great late-career tracks and notable for his much-publicized Clipse reunion.

However, this version doesn’t quite live up to the original. However, it’s fun to hear Eminem tumbling around to a Dre beat like he did in the good old days.

On the moving track “Way Past Luck”, 21 Savage has the freedom to go deep.

No one raps better than 21 Savage over eerie Wes Craven-inspired horror beats. Nobody. The Freddy Krueger Razor Mitt suits him perfectly thanks to his deadpan delivery, acerbic sense of humor, and talent for finding original ways to threaten people.

Nonetheless, throughout his career he has demonstrated an ability to channel another side of himself into velvety soul samples. This ability has been a feature of his work.

The tracks “A Lot” and “Letter 2 My Momma” from his 2018 album I Am > I Was are among the best songs he’s ever recorded, and on God Did’s “Way Past Luck” he returns again in this wheelhouse. .

Savage finds himself in a contemplative state as he rolls along to a beat produced by Khaled, StreetRunner and Tarik Azzouz.

There is a single verse on “Way Past Luck” which is rapped by 21 Savage in a stream of consciousness style. In this verse, Savage raps about the incongruity of being a famous black man (“Police hate me, white fans show me love”), and how his brand of creepy Atlanta rap has crossed over (“The heart inside the trenches, I can’t go pop / We make street records and they go pop”), and the impact of the father

The song doesn’t quite reach the same level of intellectual depth as “A Lot,” but it’s still a strong candidate for inclusion in one of 21 Savage’s projects.

Khaled’s detractors love to joke that his albums are full of tracks that aren’t good enough to make the star artist’s own releases, but “Way Past Luck” is unequivocally an exception to that rule.

Quavo and Takeoff deliver excellent performances, doing justice to the late Eddie Murphy’s sample release.

Despite the various skills they possess, the members of Migos are not particularly known for their sense of humor (except Carpool Karaoke session).

It’s great to hear Quavo and Takeoff rapping with their typical emphasis on a beat that samples Eddie Murphy’s 1985 single “Party All the Time.” “Party” isn’t a terrific song in the traditional sense. , but it’s great to hear Quavo and Takeoff rapping.

As Murphy sings about an insatiable socialite girlfriend over a trap beat that features thunderous 808s, two Atlanta rappers trade bars in their signature triplet cadence. The song is about an insatiable socialite girlfriend.

Even though their references – Dave Chappelle’s Rick James sketch, a Three 6 Mafia hit from 2006 and Tony Hawk’s skateboarding exploits – seem almost as dated as the sample itself, Quavo and Takeoff are clearly having a good time. here. They recently formed a new duo called Unc & Phew amid longstanding rumors of bad blood with Offset. The duo is called Unc & Ouf.

Quavo and Takeoff are currently working on an album, and if they continue to lean into nerdy fun the same way they do on this club cut, they might find some new life and a reason to keep the party going.

Once again, Khaled’s affection for dancehall music is reflected in this song.

DJ Khaled has released 13 studio albums, and throughout their ups and downs he has used each one as a stage on which to introduce mainstream listeners to talented reggae and dancehall artists.

He has previously collaborated with well-known Jamaican artists such as Buju Banton and Sizzla, and he invites them both, and a small army of other Jamaican musicians, to appear on “These Streets Know My Name”.

Skilling, who is only 25 years old but rising rapidly, is featured on the track along with several dancehall legends such as Buju Banton, Sizzla, Bounty Killer and Capleton.

The song features skillful A&R work that brings all of these artists together. Though the teenage singer gets in the way of the beat at top speed, it’s Banton’s gruff, soaring authority that drives the song.

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Although Khaled is adept at following and fitting in with current music trends, his dedication to promoting dancehall music comes across as sincere and genuine. The song “These Streets Know My Name” is considered one of the strongest tracks on the album.

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Lil Tjay Raps About Coming Back From Near Death Shooting On ‘Beat the Odds’ – Billboard https://wmgd.net/lil-tjay-raps-about-coming-back-from-near-death-shooting-on-beat-the-odds-billboard/ Fri, 26 Aug 2022 07:00:00 +0000 https://wmgd.net/lil-tjay-raps-about-coming-back-from-near-death-shooting-on-beat-the-odds-billboard/ Lil Tjay is counting his blessings on his poignant new track, “Beat the Odds,” which finds the Bronx MC recounting his recovery from a near-fatal ambush during a failed robbery attempt in June. “I do my own thing, fk it, took seven shots, no shame/ Back to the wall, I’m still gonna blow you up, […]]]>

Lil Tjay is counting his blessings on his poignant new track, “Beat the Odds,” which finds the Bronx MC recounting his recovery from a near-fatal ambush during a failed robbery attempt in June. “I do my own thing, fk it, took seven shots, no shame/ Back to the wall, I’m still gonna blow you up, I ain’t a stain/Flow on Wayne, I don’t care about no ceiling,”

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See the latest videos, graphics and news

Video of the trail which dropped on Friday August 26 opens with frantic 911 calls from the day of the incident – including the voice of a woman saying she believes the victim is ‘dead’ – before melting into Tjay lying with his eyes closed, an oxygen mask on his face. It then focuses on him writing and recording lyrics while hooked up to monitors, the bandages on his neck in plain sight as he records his verses from his hospital bed.

According to a statement announcing the song, the 21-year-old “Laneswitch” rapper was treated for gunshot wounds after being shot 7 times, including to the lungs, neck and chest. We watch Tjay learn to walk again, caress the wounds on his chest and hop into a wheelchair as he returns to the studio amid footage of him performing on stage in the visual directed by the MC. The scene ends in a church, where Tjay gives thanks for his survival and his faith.

“Grateful for the shit I’ve had ’cause I come from a hard life / Demons on my mind, I’ve seen some shit I want to archive / The feds looking to try to bring down / I’m just thinking about the possibility, I frown,” he raps on the chorus. “Away on that water, Father, don’t let me drown/ I hear my grandma say, ‘Don’t let me down’/ People wanna kill me, always keep my gun handy/ Pray I squeeze first, I can’t lose the millions I found.

“I am grateful for the love and support I have received from my fans, family and friends,” the rapper said in a statement. “It’s been a long road to recovery, but I’m glad to have a second chance. Stay tuned… I’m back.

Watch the “Beat the Odds” video below.

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How to Find (and Beat) Fang-King Clavein (Unique Monster) https://wmgd.net/how-to-find-and-beat-fang-king-clavein-unique-monster/ Tue, 23 Aug 2022 07:00:00 +0000 https://wmgd.net/how-to-find-and-beat-fang-king-clavein-unique-monster/ To find Fang-King Clavein in Xenoblade Chronicles 3, adventurers must discover the entrance to an endgame area known as Elgares Depths. Quick links Fang-King Clavein location in Xenoblade Chronicles 3 Although a player’s mileage varies according to his enjoyment of Xenoblade Chronicles 3of post-game content, it can be said that there are many unique monsters […]]]>

To find Fang-King Clavein in Xenoblade Chronicles 3, adventurers must discover the entrance to an endgame area known as Elgares Depths.


Quick links

  • Fang-King Clavein location in Xenoblade Chronicles 3

Although a player’s mileage varies according to his enjoyment of Xenoblade Chronicles 3of post-game content, it can be said that there are many unique monsters to find and defeat in Aionios, such as Fang-King Clavein. A colossal member of the Darbuses species, Fang-King Clavein, is a level 80 beast with red clusters of crystals protruding from all over his muscular body. He uses these crystals as additional protection in Xenoblade Chronicles 3 for its thick, scaly skin and as a combat weapon. It’s no surprise that Fang-King Clavein has a massive HP pool. While this unique monster moves slowly, it can deal devastating damage to unprepared targets.

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Before facing this Unique Monster, Xenoblade Chronicles 3 fans are strongly encouraged to level their party members to at least level 85 or higher. Of course, level 99 max would be optimal, but going up against Fang-King Clavein at level 80 or lower will make the fight much harder to fight. After all, higher level means more damage, allowing player units to shred the beast’s health without worrying about it being a “sponge” for attacks.

Related: Where To Find Garaffa’s Net In Xenoblade Chronicles 3

Thanks to the efforts of the YouTube content creator Dainghia25, fans can have a clear idea of ​​not only where Fang-King Clavein is, but also how to reach the location of the unique monster in Xenoblade Chronicles 3. Unfortunately, the monster is in the Depths of Elgares, an area that won’t become accessible until much later in the game. As a result, those who haven’t yet defeated the final boss are encouraged to focus on first the end of the main story.


Fang-King Clavein location in Xenoblade Chronicles 3

To find the location of Fang-King Clavein’s unique monster in Xenoblade Chronicles 3players can follow the steps below:

Step # Walkthrough Details
1
  • Head to the entrance to Elgares Depths in the Aetia region.
  • To access this entrance, players can skip travel to any of the following fast travel points:
    • The named tomb of Jingoistic Gigantus (if already defeated)
    • Kamos landmark
    • Landmark Eyot de Luca
2
  • After skipping the journey to one of the landmarks above, players can head to Murmur Rise, the same location where they started the hero quest for Gray.
3
  • Next, head west into the underground tunnels leading to the depths of Elgares.
4
  • The Elgares Depths login entry point is located on the far right of the zone map.
  • However, Fang-King Clavein’s location is on the opposite side.
5
  • So, to reach Fang-King Clavein, players need to head to the westernmost side of the location, where they’ll find a circular lair with the unique monster in it. Xenoblade Chronicles 3.

As mentioned above, defeating Xenoblade Chronicles 3 should take five to seven minutes if players have a list of level 85+ characters to send. Adventurers are advised to use the Deep Camp rest area before entering Fang-King Clavein’s lair to prepare food for the team. Additionally, players must constantly use Fusion Arts to trigger Ouroboros attacks from units in Xenoblade Chronicles 3, which should make quick work of the monster’s massive HP bar.

Source: Dainghia25

  • Xenoblade Chronicles 3 Key Art

    Xenoblade Chronicles 3

    Original release date:
    2022-09-30

    Developer:
    MONOLITHSOFT

    Franchise:
    xenoblade chronicles

    Gender:
    Roleplay

    Platform:
    nintendo switch

    Editor:
    nintendo

    ESRB:
    Not rated yet

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Anand Mahindra shares an upbeat video to beat your “Monday blues”. View Post https://wmgd.net/anand-mahindra-shares-an-upbeat-video-to-beat-your-monday-blues-view-post/ Mon, 22 Aug 2022 05:17:58 +0000 https://wmgd.net/anand-mahindra-shares-an-upbeat-video-to-beat-your-monday-blues-view-post/ Industrialist Anand Mahindra regularly updates his 9.6 million Twitter followers with motivational videos and inspirational messages. Her online followers, who eagerly await her tweets, were treated to an upbeat video this morning that can beat their Monday Blues. The video comes from Trinidad, a Caribbean country near Venezuela where people are seen dancing and drinking […]]]>

Industrialist Anand Mahindra regularly updates his 9.6 million Twitter followers with motivational videos and inspirational messages. Her online followers, who eagerly await her tweets, were treated to an upbeat video this morning that can beat their Monday Blues.

The video comes from Trinidad, a Caribbean country near Venezuela where people are seen dancing and drinking beers. The video also features a remix of a popular Hindi movie song from Deva Aannd’s era, “Pal bhar ke liye koi hame pyar karle”.

Mahindra was so impressed with the spirit of the people of Trinidad that he put the country at the top of his vacation wish list.

Mahindra wrote: “Not the usual type of #MondayMotivation thinking. But I think it guarantees an upbeat start to the week! And Trinidad tops my vacation destination wish list.”

Yesterday, the billionaire businessman shared a motivational message recalling the “advice” of the late Rakesh Jhunjhunwala. His social media post was aimed at the nation’s youth and their health.

They say that health is wealth and Anand Mahindra’s Twitter post significantly proved the saying right. Taking to Twitter, the Chairman of Mahindra Group shared the “tips” from the late ace investor Rakesh Jhunjhunwala which he once mentioned during an interview with a popular media house.

Mahindra’s post was captioned as follows: “This post is widely shared. In the last stage of his life, Rakesh gave the most valuable and profitable investment advice ever. It is a advice that is worth billions and the best part is that it requires investing your time, not your money. #SundayThoughts”.

The post also attached a screenshot of an old news report where the late investor Jhunjhunwala said he did not invest in good health and further urged everyone to invest more in health. “My worst investment has been my health. I would encourage everyone to invest the most in that.”

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Beat Building: How to Create a Classic House Beat https://wmgd.net/beat-building-how-to-create-a-classic-house-beat/ Mon, 15 Aug 2022 07:00:00 +0000 https://wmgd.net/beat-building-how-to-create-a-classic-house-beat/ In our Beat Building series, we show you how to produce beats, grooves and drum patterns in a variety of styles and genres, touching on different production eras, to help you understand the key rhythmic elements behind many of the greatest pieces of today. House music comes in many shapes and sizes, but it’s underpinned […]]]>

In our Beat Building series, we show you how to produce beats, grooves and drum patterns in a variety of styles and genres, touching on different production eras, to help you understand the key rhythmic elements behind many of the greatest pieces of today.

House music comes in many shapes and sizes, but it’s underpinned by a driving four-on-the-floor groove between 115 and 130 bpm.

House music comes in many shapes and sizes, but it’s underpinned by a driving four-stage groove between 115 and 130 bpm that has remained fairly consistent since its first appearance in Chicago in the mid-1980s.

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Ashleigh Plumptre returns as Leicester City beat Southampton 1-0 in pre-season [Photos] https://wmgd.net/ashleigh-plumptre-returns-as-leicester-city-beat-southampton-1-0-in-pre-season-photos/ Mon, 15 Aug 2022 07:00:00 +0000 https://wmgd.net/ashleigh-plumptre-returns-as-leicester-city-beat-southampton-1-0-in-pre-season-photos/ Super Falcons Defense Minister Ashleigh Plumptre is back with Leicester City. Plumptre, 24, was in action as Leicester City beat rivals Southampton in a pre-season game. Plumptre played for Nigeria Super Falcons in the 2022 Women’s Africa Cup of Nations (WAFCON) in Morocco. The Leicester City defender has been solid in the tournament as the […]]]>

Super Falcons Defense Minister Ashleigh Plumptre is back with Leicester City.

Plumptre, 24, was in action as Leicester City beat rivals Southampton in a pre-season game.

Plumptre played for Nigeria Super Falcons in the 2022 Women’s Africa Cup of Nations (WAFCON) in Morocco.

The Leicester City defender has been solid in the tournament as the Super Falcons secured a place at the 2023 FIFA Women’s World Cup in New Zealand and Australia.

Following his exploits at WAFCON, Plumptre returned to training with Leicester City last week.

She returned to action on the pitch as Leicester City Women beat Southampton Women 1-0 in a behind closed doors friendly at Belvoir Drive on Sunday August 14.

It was a good test for Leicester City after narrowly escaping relegation last season.

Southampton, meanwhile, are newly promoted to the Barclays Women’s Championship.

Both teams had limited chances in a relatively quiet first half. The only goal of the contest came four minutes after the restart by Sam Tierney.

It was Plumptre’s first match since WAFCON as Leicester City Women continue their preparations for the new Barclays Women’s Super League season.

Following a 1-0 win in wet conditions at Belvoir Drive, Plumptre and her Leicester City teammates continue to improve their fitness ahead of the start of the 2022/23 WSL campaign at Everton on Sunday 11 September 2022.

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